Iten, a small town in the Great Rift Valley, became the long-distance-running capital of the world. Then, within a span of six months, two élite athletes were found dead.
After the death of a reporter who investigated narcopolitics, her colleagues formed a secret collective to bring the killers to justice—and challenge a culture of impunity.
In the sixties and seventies, fighting for the rights of queer people was considered radical activism. To Jeanne Manford, it was just part of being a parent.
Emahoy Tsegué-Maryam Guèbrou, who died recently, wrote pieces that were elegiac, but suffused with a sense of survival: we are broken, we are wounded, we carry on.
The drama, starring Steven Yeun and Ali Wong, is a study of male loneliness—a familiar theme in prestige TV that finds renewed urgency in an Asian American context.
Ben Affleck’s pacy, adept portrayal of Nike’s pursuit of Michael Jordan, co-starring Matt Damon and Viola Davis, kneels at the altar of high capitalism.
One was charged with criminal obstruction of breathing. One allegedly kicked someone in the back. And one, uncuffed, was charged with falsifying business records.
Speedo Green, named after his father’s favorite underwear, fell in love with “Carmen” at fourteen. Now he’s training to box for Terence Blanchard’s opera “Champion.”
Want the night life of Eric Adams but can do without the glitz or the starch? Try Maxwell; you make the food and store the liquor in a twelve-thousand-dollar locker.
For City Center’s “Artists at the Center” series, the tap dancer has programmed several short works and an extended version of her 2021 piece “Where We Dwell.”
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