Josh Groban and Annaleigh Ashford in “Sweeney Todd,” Aaron Sorkin’s revised “Camelot,” Andy Warhol and Jean-Michel Basquiat together onstage, and more.
“Straight Line Crazy,” the British playwright’s portrait of the tsarist urban planner, scrupulously declines to portray Moses as blinkered and corrupt.
In “american (tele)visions,” a family from Mexico spends more time at Walmart than in their trailer, and Little Amal, a twelve-foot-tall puppet of a ten-year-old Syrian refugee, roams Harlem.